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Eshan Rafi is a Chicago-based artist working in performance and video. Their works deal with the intersection of political events and personal archives, often staging the impossibility of representation. Rafi studied Intermedia and Photography at Concordia University (Montréal, CA) and York University (Toronto, CA). They were a participant in the 2013-2014 Home Workspace program organized by Anton Vidokle and Jalal Toufic, and a funded fellow for the 2014-2015 program entitled Setups / Situations / Institutions, at Ashkal Alwan, Beirut (LB).

More recently, their work has been shown at SummerWorks Lab, Toronto (2020), Sharjah Film Platform, Sharjah (2019) and M:ST 9 Performance Art Biennale, Calgary (2018). They have participated in residencies at Fondazioni Antonio Ratti (Como, IT), Saas-Fee Summer Institute of Art (Berlin, DE), and the Banff Centre for Arts and Creativity (Banff, CA). Rafi's artistic practice rests on a history of community organizing in queer of colour communities, including working in collectives to develop decolonial and anti-racist pedagogies. Over the past several years, they have participated in anti-surveillance and hacker spaces such as Equality Labs at the Allied Media Conference (Detroit, US), Chaos Computer Congress (Leipzig, DE), and School of Machines (Berlin, DE).

Rafi is currently a camper at Asia Art Archive in America, and a participant in the upcoming workshop program of the Whole Life Academy Berlin at Haus der Kulturen der Welt (HKW). Their work has been extensively supported by the Toronto Arts Council, Ontario Arts Council and Canada Council for the Arts, as well as by the generosity of queer and bipoc communities.

Rafi is an MFA candidate in Art, Theory and Practice at Northwestern University, Evanston, US.


PORTFOLIO / CV

Yesterday Laurie Anderson said that repetition helps you focus on the complexity of the form.

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“Black gooey might then be a platform of slowness (“dragged time”, “colored time”), refusal, thought, complexity, critique, softness, loudness, transparency, uselessness, and brokenness. A planar body that longs for the solitude and vastness of the command-line, yet nuanced and sharp, to usurp and destroy a contemporary hegemonic interface.“

<3

- American Artist, Black Gooey Universe

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I have a dream about a spider that is a rabbit. The spider-rabbit is very sleepy, it is drooping in my hand. I expect it to fall asleep, but it wants to be put in a bed. I find a bedroom with a child’s bed, and deposit the spider-rabbit into the centre. I cover it with a blanket. 

A woman appears with a child in her arms - she’s a friend of my moms. I tell her the spider-rabbit is sleeping in the bed she wants to put her child into, and she becomes agitated. She suggests we send the spider-rabbit to the west coast. I am appalled at her callousness… how can it be that space belongs only to the one who owns it? Surely she can find another place for her baby to sleep.

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planetary-scale grief ecological collapse man-made disasters

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forever gay

forever pensive

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I walk past the portables.

The facade of each one is illuminated by a single tungsten bulb.

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I make figure 8’s with my hands, moving them towards my sternum and then back out again. 

Moths weave in and out of the tall grass. 

The sky is technicolour blue. 

Every tree is a silhouette. 

I place my little finger into the soft space just below my right eye, and pull downwards.

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I touch the skin of my palms together, listening to the deafening sound of bats.

I fold my hands into each other, feeling the skin slide.

The lights from the soccer field obliterate the sky.

I turn my body and walk backwards, off the field.

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I scratch at the ground with my hands,
 until there’s a hole big enough to put my arm into.


I put my arm inside the hole, closing my first around soil.


I lie down on the ground.


I stay there until the sun sets.

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Everyday I walk to the park.


I walk to the centre and stand in front of the tree.

Then, I look up at the sky.

Everyday the sky is different.

I follow the sightline of the trees.

The line is dark, because the sun has set.

I draw a line with my eyes, turning my body to follow the square to the end.
.. And then it’s finished.

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